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嘉徳通訊第117回·アジア二十世紀(jì)及び當(dāng)代蕓術(shù)
2018-03-06

  是次春拍,「亞洲二十世紀(jì)及當(dāng)代藝術(shù)部」呈現(xiàn)逾95件作品,當(dāng)中,我們循藝術(shù)史的角度、融合市場(chǎng)發(fā)展脈絡(luò),特別策劃了兩個(gè)專(zhuān)題。其一為「與大師對(duì)話(huà)」,匯集東西方九位藝術(shù)巨擘的精彩作品,以饗藏家。當(dāng)中以中國(guó)四大校長(zhǎng)之一的杭州藝專(zhuān)創(chuàng)辦人林風(fēng)眠為首,呈現(xiàn)其三件來(lái)源有序的經(jīng)典風(fēng)景、仕女、動(dòng)物主題代表作。以及蘇州美專(zhuān)校長(zhǎng)暨中國(guó)寫(xiě)實(shí)主義代表人物——顏文梁完成于1979年,曾代表他參加上?!溉珖?guó)藝壇大師動(dòng)物大展」,氣勢(shì)萬(wàn)千的珍罕動(dòng)物主題巨制《奔馬》和恬靜光燦的風(fēng)景創(chuàng)作《幽林》;與關(guān)良首次現(xiàn)身市場(chǎng),體現(xiàn)「大巧以拙」、「油畫(huà)民族化」精神的《長(zhǎng)耕不輟》、《戲劇人物?挑滑車(chē)》;丁衍庸難得一見(jiàn)的珍稀宗教題材、大膽濃烈,富個(gè)人情味的雙面畫(huà)《交腳菩薩》;旅美華人朱沅芷明媚生動(dòng),描繪初春的30年代大尺幅《公園漫步(索邦神學(xué)院廣場(chǎng))》;以及華人抽象大師趙無(wú)極完成于1951年,出自瑞士著名藝評(píng)家暨出版商賈克梅第(Nesto Jacometti)舊藏的《無(wú)題》,與其瑰麗雄奇、氣象萬(wàn)千,展現(xiàn)豁達(dá)人生心緒與深厚東方精神的重磅巨作《25.06.86 桃花源》;及朱德群借古開(kāi)今,跌宕昂揚(yáng)的磅礡巨構(gòu)《構(gòu)圖第57號(hào)》。精彩可期!

  而在西方藝術(shù)方面,我們將呈現(xiàn)19世紀(jì)寫(xiě)實(shí)主義大家?guī)鞝栘惞P下含情,描繪故鄉(xiāng)動(dòng)人景致的《生命之泉》、畢費(fèi)經(jīng)典的《盛贊芳華》。匯聚東西方藝術(shù)大師的創(chuàng)作靈光,展現(xiàn)其獨(dú)特的個(gè)人風(fēng)貌與作品間跨時(shí)代的對(duì)話(huà)。

  另一專(zhuān)題,我們聚焦「身體語(yǔ)言」,透過(guò)展現(xiàn)跨地域與世代的藝術(shù)家如何詮釋人物主題,來(lái)勾勒出一轉(zhuǎn)變中的時(shí)代美學(xué)及創(chuàng)作者特出的視角。當(dāng)中涵括藤田嗣治、羅中立、賀慕群、丁雄泉、奈良美智、黃宇興、陳飛、菲律賓藝術(shù)家溫度拿等人之作。許多作品均為首次現(xiàn)身市場(chǎng),為藏家購(gòu)藏珍品的良機(jī)。

This Spring, the Asian 20th Century and Contemporary Art Department will present more than 95 works, divided into two special themes that combine art history and market development. The first one is entitled “A Dialogue with Masters” and brings together exquisite works by nine Eastern and Western masters, presenting collectors with a veritable artistic feast. Of key interest are three classic works by Lin Fengmian, one of the “top four college principals in Chinese history” and founder of Hangzhou Art Academy. There are also two paintings by Yan Wenliang, former principal of Suzhou Art Academy and Chinese realist painter - the imposing and rare animal motif Running Horses which featured at the “Shanghai National Exhibition of Animal Depictions by Chinese Artists” and the tranquil landscape work Forest, both completed in 1979. Two works by Guan Liang will be offered at auction for the first time, namely Landscape and Opera Figures, both exemplary of the artist’s great humility and Chinese-style application of oil painting. Ding Yanyong’s rare double-sided painting Bodhisattva, with its cherished religious motif, is bold, powerful and imbued with personal sentiments. Another attraction is Chinese-American artist Zhu Yuanzhi’s (also known as Yun Gee) bright and vivid portrayal of early spring in Woman and Child Walking in Park (Sorbonne Square, Paris), an imposing work painted in the 1930s. Two other paintings by Chinese abstract master Zao Wou-Ki will be offered. Untitled, which was completed in 1951 and kept for years by his good friend and Swiss publisher Nesto Jacometti, and the magnificent masterpiece 25.06.86, which gives voice to an open-minded view of human emotions and the depth of the Eastern spirit. In contrast, Chu Teh-Chun’s free and high-spirited masterpiece Composition No. 57, uses the past to reflect on the present.

For collectors interested in Western paintings, Roches et Cascade, a moving hometown scene by 19th-Century realist painter Gustave Courbet, together with Zinnias Bouquet by Bernard Buffet will be offered. These works highlight the artistic inspirations that moved Eastern and Western painters alike, while showcasing the unique styles of individual artists and the dialogue between works from different eras.

The second special theme is “Body Language”. By showcasing how artists from different places and times interpret human figures, this curated session highlights the changing aesthetics and focus on the unique perspective of each artist. This is a dialogue informed by the works of Tsuguharu Foujita, Luo Zhongli, Hoo Mojoo, Walassse Ting, Yoshitomo Nara, Huang Yuxing, Chen Fei and Philippine artist Ronald Ventura. Many of these works have never appeared at auction, making this a perfect opportunity for art collectors to add new treasures to their collections.

嘉德通訊117期·焦點(diǎn) 亞洲二十世紀(jì)及當(dāng)代藝術(shù)

趙無(wú)極(1920-2013)

25.06.86桃花源

1986年作

油彩 畫(huà)布

Zao Wou-Ki

25.06.86

Painted in 1986

Oil on canvas

195 × 130 cm.

嘉德通訊117期·焦點(diǎn) 亞洲二十世紀(jì)及當(dāng)代藝術(shù)

朱德群(1920-2014)

構(gòu)圖第五十七號(hào)

1960年作

油彩 畫(huà)布

Chu Teh-Chun

Composition No.57

Painted in 1960

Oil on canvas

127 × 96 cm.

嘉德通訊117期·焦點(diǎn) 亞洲二十世紀(jì)及當(dāng)代藝術(shù)

林風(fēng)眠(1900-1991)

照鏡仕女

1965年作

彩墨 紙本

Lin Fengmian

Lady with Mirror

Painted in 1965

Ink and colour on paper

68.5 × 68.5 cm.

嘉德通訊117期·焦點(diǎn) 亞洲二十世紀(jì)及當(dāng)代藝術(shù)

居斯塔夫·庫(kù)爾貝(1819-1877)

生命之泉

1866年作

油彩 畫(huà)布

Gustave Courbet

Roches et Cascade

Painted in 1866

Oil on canvas

63.5 × 44.5 cm.

嘉德通訊117期·焦點(diǎn) 亞洲二十世紀(jì)及當(dāng)代藝術(shù)

奈良美智(b.1959)

當(dāng)你所言對(duì)我已無(wú)意義

1995年作

壓克力彩 畫(huà)布

Yoshitomo Nara

This is How it Feels When Your Words Means Nothing at All

Painted in 1995

Acrylic on canvas

51 × 40 cm.

嘉德通訊117期·焦點(diǎn) 亞洲二十世紀(jì)及當(dāng)代藝術(shù)

周春芽(b.1955)

卡恩和喜兒

2007年作

油彩 畫(huà)布

Zhou Chunya

Kahn and Xi'er

Painted in 2007

Oil on canvas

149 × 120 cm.